top of page

Kiana R Beckmen

headshot 4.jpg

Artist Biography 

     Kiana Ruth Beckmen is an author and artist raised on the Central Coast of California. Drawing on a background in art history, creative writing, and museum studies from Johns Hopkins University, she is primarily invested in the study of comparative religions, and in the societal desires which prompt and enforce their evolution. Influenced by a reform Jewish upbringing and personal mélange of spiritual practices, she creates interdisciplinary, multi-valent sites of historical and spiritual investigation, which synthesize a collage of perspectives and references, often evoking cultures of the sacred. Inquiry is often motivated by feminist impulses of reclamation, ecological reverence, and the desire to share a sense of the magic and mystery in the landscape of spiritual history.

Artist Statement

     I am an interdisciplinary artist and writer primarily engaged with history’s influence on the present, and with the infrastructure of religion, mythology, and spirituality as foundational to human culture. By integrating imagery, text, and art historical references in intricate, diagrammatic environments, I highlight a plurality of perspectives, illuminating interwoven dialogues. Working mostly books, serial illustration, and animation, I mostoftenaddress fraught relationships with the environment and female power, often in conjunction.

Artist Gallery

The Book of Lilith

Collage animation

35 seconds

     These in-progress scenes are elements of an animation on the character of Lilith, a Mesopotamian demon who haunts Jewish folklore, and who, by the 1500s, is present enough in the zeitgeist to be depicted on the Sistine chapel, curving up the tree of knowledge with a serpentine body and a female head. In the Medieval period, stories about her as the “first wife of Adam, born with him out of the dirt,” arise, and she is banished from the garden for transgressions varying from asking to name some of the animals, refusal to submit sexually, and speaking the most sacred name of God. Cropping up in hundreds of years of amulets, esoteric texts and imagery, and perhaps the word “lullaby” (from “Lilith abiti”—"Lilith go away,”)the scorned, baby-eating, demon-birthing, nightmare-inducing, sexually dangerous succubus with long profane hair and sometimes bestial features, is a fascinating example of how suppression and vilification of the divine feminine results in the self-fulfilling prophesy of vengeance, violent shame, and destructive subversion.

Oh Mother Matrix!

(Why do theThunder GodsReign?) 

2020

Watercolor illumination, gold chromeworks on paper

10x13, 4.4x10 in

161078818_260268868915817_34909662853668
160218349_308176073977152_25499729381826
161025241_1802670893228481_5555441602790
161443826_444501186869000_45356198583394
161026560_445809800018082_20265818831790
160909876_229662472229350_55420889647805
160949947_464736391236262_35951201099088
160909876_229662472229350_55420889647805
160949947_464736391236262_35951201099088

Oceanic Inclinations 

 2020

Watercolor works on paper

12" x 9"

161403560_718800212142468_48221102623084
160962892_449342319839987_97264731397044
161454779_1403064390051956_6787178919338
bottom of page